Alexa Mini (4:3 and ARRIRAW)
- 1x Alexa Mini Body (4:3 & ARRIRAW)
- 1x ALEXA Mini Viewfinder MVF-1 incl VF cable
- 1x Mini Viewfinder Bracket MVB-1
- 1x Titanium PL Lend Mount or 1 x EF Lens Mount
- 2x SanDisk 256GB CFast 2.0 Cards
- 2x SanDisk 128GB CFast 2.0 Cards
- 1x CFast 2.0 Card Reader
- 1x Arri Camera Conrtol Panel CCP-1 & Cables
- 1x Wooden Camera A-Box
- 4x IDX 150 Batteries
- 1 x IDX Battery charger
- 1 x Wooden Camera D-box w/ V-lock plate
- 2 x Mini Adapter Plate MAP-2
- 2 x Mini Adapter Plate MAP-1
- 2 x Mini Side Bracket MSB- 1 for ALEXA
- Center Camera Handle CCH-2
- 2 x Rod Mounting Bracket RMB-3
- 2x Arri 15mm Reduction Insert
- 1x Shoulder Pad CSP-1
- Bridge Plate Adapter BPA-4
- Bridge Plate BP-8
- 1x Arri Dovetail Plate (300mm)
- 2x Ronford Baker Moose Bars
- 1x Timecode Cable
- 1x Spare EVF Cable
- 1x Mini 4Pin XLR to 4Pin XLR Cable
- 1x 3m 4Pin XLR Cable
- 2x 15mm Support Rods (340mm)
- 2x 15mm Support Rods (440mm)
- 2x 19mm Support Rods (140mm)
- 2x 19mm Support Rods (440mm)
- 1x Porta brace Rain Slicker
Complementing the ALEXA range
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Strength and agility through state-of-the-art materials
To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
Versatile mounting and shooting options
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an onboard monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also makes it ideal for tight shooting conditions.
The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.
Uncompromised image quality for specialized shots
The overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry.
Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions – thanks to the 4:3 sensor and automatic de‑squeeze function.
Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.
Save time on set
With the ALEXA Mini, no extra time need be spent on set configuring third-party cameras previously required for specialized shots, or on wrangling the image files coming out of them. Multi-camera setups such as 360° plate shots will be made simpler and faster by the external Codex recorder, which can record image streams from up to four ALEXA Minis simultaneously. The camera’s maximum frame rate of 200 fps means it can also be used for stunning slow-motion cinematography, saving further time and money on set by doing away with the need for a separate high-speed camera.
Save time in post
In the past, productions combining small cameras from other manufacturers with an ARRI ALEXA shooting kit have encountered time-consuming difficulties in the grade, trying to match images from those cameras to ALEXA’s famously natural colorimetry and pleasing skin tones. With the ALEXA Mini these difficulties are eliminated because all images come from the same sensor and share the same color space. The ability to use CDLs and 3D LUTs in-camera for on-set color management will also reduce time and money spent in post.
Integrated lens motor control and ND filters, perfect for gimbals and multicopters
The ALEXA Mini’s camera body has been designed with new-generation brushless gimbals, multicopters and other specialized rigs in mind. It is compact enough in the lens direction to allow the use of standard PL mount lenses even on lightweight and space-constrained rigs, such as gyro-stabilized aerial systems. The camera’s superb low-light performance makes it perfect for underwater work, and dedicated underwater housings are currently being developed by leading manufacturers.
Built-in Wi-Fi connectivity facilitates remote control of camera functions from iOS or Android devices, with no need for a special app. The motorized and remotely-controllable internal ND filters permit rapid responses to changing light conditions and help keep clutter around the camera to a minimum.
Cost-saving camera and lens metadata
Integrated ARRI Lens Data System (LDS) technology brings the added value of frame‑accurate metadata about focus, iris and zoom settings. With these lens settings and exact depth‑of‑field displayed live on wireless hand units, precise adjustments can be made during a shot. The data also allows lens mapping to pre‑marked focus rings and reduces the time and expense involved in achieving complex visual effects in post.
Unsurpassed overall image quality
Like the ARRI AMIRA, the ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. More important than this, however, is the fact that the Mini and all other ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other image quality parameters such as dynamic range.
Better pixels, not just more
ARRI’s approach is unique in that it does not prioritize one element of image quality over any other. To achieve the highest overall image quality, ARRI uses bigger and better pixels on the sensor, rather than smaller pixels in larger numbers. The result is that ALEXA captures a wider dynamic range, truer colors, lower noise and more natural skin tones than other cameras, whether the chosen output is HD, 2K, 4K UHD or one of the native resolution outputs like uncompressed ARRIRAW 2.8K or ProRes 3.2K. This approach is vindicated by the huge numbers of professional filmmakers who choose ALEXA after extensive real‑world comparative testing.
Safe for future industry standards
Images from the ALEXA Mini are uniquely suited to next‑generation HDR (High Dynamic Range) displays, which are likely to play a role in defining future format standards. In addition, the ALEXA Mini’s camera speeds of 0.75 – 200 fps allow it to be used not just for slow‑motion shots, but also for HFR (High Frame Rate) acquisition, which might constitute another strand of future standards. ARRI’s holistic approach to image quality makes ALEXA the most future-proof camera system available today, and the safest investment for tomorrow.
|(camera body with PL lens mount)|
|Weight||2.3 kg/5 lbs (camera body with titanium PL lens mount)|
|Sensor||35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array|
|Photo sites (with surround view)||16:9|
|4K UHD:||3200x1800 (3424x1926)|
|Shutter||Electronic shutter, 5.0° to 356.0°|
|Exposure latitude||14+ stops over the entire sensitivity range from EI 160 to EI 3200|
|as measured with the ARRI Dynamic Range Test Chart (DRTC-1)|
|Exposure index||EI 800 base sensitivity|
|Filters||Built-in motorized ND filters 0.6, 1.2, 2.1|
|Lens mounts||Titanium PL mount with L-Bus connector and LDS|
|Recording media||CFast 2.0 memory cards|
|Recording formats||HD 1920x1080|
|2K Cine 16:9 2048x1152|
|2K Cine 4:3 2048x1536 *|
|4K UHD 3840x2160|
|ARRIRAW 2.8K 16:9 2880x1620 *|
|ARRIRAW 2.8K 4:3 2880x2160 *|
|Recording codec||ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), ARRIRAW *|
|Color output||Rec 709, custom look or Log C|
|Look control||Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)|
|Adjustable image parameters||Knee, gamma, saturation, black gamma, saturation by hue|
|Focus and exposure control||Peaking, zebra, false color|
|White balance||Manual and auto white balance|
|Sound level||-20 dB(A) at standard frame rates|
|Environmental||-20° C to +50° C (-4° F to +122° F) @ 95% humidity max, non- condensing|
|Splash and dust-proof through sealed electronics|
|Viewfinder||Multi Viewfinder MVF-1 (OLED and LCD ) with flip-out LCD screen|
|military-grade connector to camera|
|Control interface||Soft buttons and OSD on SDI output, integration of Transvideo StarliteHD touch interface *|
|ARRI lens motor control||Built-in radio interface for ARRI lens control|
|L-Bus motor output for daisy-chainable cforce lens control motors|
|Wi-Fi remote control||Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops|
|Custom control||Optional GPIO interface for integration with custom control interfaces|
|Power input||Lemo 8-pin, 10.5-34 V DC|
|Video outputs||2x HD-SDI out 1.5G|
|3G:||uncompressed HD video with embedded audio and metadata, SDI-6G interface to external CODEX recorder *|
|Inputs||SDI-Genlock (optional activation through ARRI Service),timecode (in and output)|